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Video-on-demand platforms have gradually taken on a huge importance when it comes to broadcasting audio-visual or cinematographic content.

In particular, SVOD (video on demand by subscription) knows a major growth and represents almost 80% of the video on demand market...

Cinematographic relationships between France, Russia and the countries of the East, are perennial and if the production is not massive, it is however constant. For example, over the period 2017/2018, France co-produced 5 films with Russia and Ukraine, and two with Geor...

The release in October 2018 of Nadine Labaki’ s new film, « Capharnaüm » enhanced once again the co-production partnerships between France and Middle East countries. Previously in 2016, such partnerships have been embodied by « Je danserai si je veux » of Maysaloun Ham...

Spanish and Portuguese directors benefit from a reputation that goes beyond their borders and are regularly selected in international film festivals. During the 2018 Cannes Film Festival, "El Ángel" by Luis Ortega was screened in the "Un Certain Regard" selection and "...

Public supports for cinematographic production are numerous and essential within the context of French production, whether it comes from the CNC, the regions or any public body. Nonetheless, the share of public support in the financing of an audio-visual or cinematogra...

Among French audio-visual production, it is impossible not to notice the rise of series these last past years. Within this context it is interesting to consider the actual place of series in the French production landscape before we focus on their legal framework.

First...

Development is a crucial step when producing a feature film. It is the period when take place both the writing and artistic development of the films by its authors and the search of financial partners by the producer (co-producers, broadcasters…). As part of the develo...

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2020, year of the SVOD platforms?

15/01/2020

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